Long before Akiva Schaffer wrestled with deadlines on the 2025 reboot of The Naked Gun, he was buried in the original’s playbook—Airplane! (1980), Top Secret (1984), and The Naked Gun (1988). Those ZAZ films (that’s Jim Abrahams, David Zucker, and Jerry Zucker) weren’t just about gags; they had a secret sauce: total sincerity. This trio cast heavyweight dramatic actors and treated every element—lighting, wardrobe, set design—as though they were shooting a high-stakes thriller. The result? A sudden comedic frostbite when a joke drops in a scene that feels entirely earnest.
The ZAZ Blueprint: Drama Meets Absurdity
Here’s the kicker: you walk into a scene expecting a serious crime caper. And then Frank Drebin (Leslie Nielsen), oblivious to the chaos around him, drops a line so preposterous your jaw hits the floor. That’s not an accident. It’s a deliberate clash between the visual language of a non-comedy and punchlines that sneak right past your guard. Schaffer expressly borrowed this trick—lean into Liam Neeson’s imposing presence, treat every shot like it could win a Palme d’Or, then let the silliness bloom. Why? Because comedy hits harder when you think you’re watching something else entirely.
Brief moments like that make you rewind in your mind, piecing together how? Why? It’s the unexpected that slaps you awake, not a flash of neon pratfall.
Updating the Spoof: From Noir to “Take One”
Thirty-odd years have passed since Police Squad! exploded on TV screens, so Schaffer couldn’t simply reheat the original recipe. Instead, he kept the same framework—heavy drama and light jokes—but swapped in references more familiar to modern audiences. Think Double Indemnity vibe meets Mission: Impossible stunt set-pieces. Or, picture a world where Jack Reacher and John Wick show up to a neon-lit police precinct and promptly trip over a banana peel.
Schaffer and his team binge-watched everything from classic ‘40s noir to the latest Bond and Fallout, nodding to recent action icons while keeping the tone deliciously off-kilter. It’s homage with a smirk, never pure parody.
Building the A-Team (Spoof Edition)
What elevates Schaffer’s version even further is his all-star crew of non-comedy veterans. He didn’t hire a gaggle of sitcom designers and generic synth-jockeys. No, he recruited:
- Bill Brzeski (Fast & Furious, Iron Man 3) to craft a police HQ that feels like Se7en crashed into The Hangover.
- Lorne Balfe (Mission: Impossible – Fallout) to score beats that channel Nolan’s brooding tension one second and wink at Chinatown the next.
- Brandon Trost (This Is the End, Barry) behind the camera to nail that 35 mm film look—dusty blacks, palpable atmosphere—so it never screams “comedy.”
- Mark Vanselow, Liam Neeson’s longtime stunt double, to make every punch real, every fall feel earned.
Together, they’re spoof superheroes: masters of the serious craft commandeered to magnify ridiculousness.
Audio-Visual Alchemy: The Sound of Surreal
Music and visuals play equal parts in tricking you. Schaffer courted Balfe not just for big action cues—but to score playful noir motifs that lull you into thinking, “Surely this is a normal thriller.” Then, mid-movement, a baritone horn slur or a cheeky percussion stab reminds you: you’re in prank territory. And because they recorded with a full orchestra—an almost extinct practice these days—the sonic texture feels rich, real, and oddly comforting when a banana peel steals the spotlight.
Practical Action, Practical Laughs
You might assume a reboot like this leans on CG gags. Surprise: most stunts are practical, borrowing DNA from Taken‘s visceral chase scenes. When Neeson vaults over a car or does that signature dry-eyed stare (unaware it’s in service of a pie-in-the-face gag), you feel the weight of reality undercut by absurdity. It’s an alchemy that zings harder than any green-screen pratfall.
Schaffer even printed mood boards of Tony Scott’s Top Gun and True Romance on his wall, so every department head knew the texture he craved: something gritty yet stylized, familiar yet outlandish.
Why We Can’t Stop Laughing
At its core, the genius of The Naked Gun style is simplicity: present seriousness, then undercut it without warning. It’s comedic pickpocketing—ZAZ took the gravitas of drama and stole its tension. Schaffer reloaded their glitch-in-the-matrix humor for today’s audience, and somehow it feels fresh again. Because we all crave that jolt of surprise, right?
So, the next time you chuckle at a perfectly timed pratfall in a scene that looks straight-out-of-a serious thriller, you know the secret: it’s not dumb, it’s meticulously engineered.
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And for more laughs, check these 9 Bollywood comedies about luck.
Sources:
- https://www.nytimes.com/2025/08/08/movies/naked-gun-akiva-schaffer.html
- https://www.rogerebert.com/reviews/the-naked-gun-liam-neeson-movie-review-2025
- https://www.salon.com/2023/10/03/airplane-surely-you-cant-be-serious-zaz-interview/

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